Lewis Black comes home to DC’s Kennedy Center for ‘Goodbye Yeller Brick Road, The Final Tour’

WTOP's Jason Fraley previews Lewis Black at the Kennedy Center (Part 1)

He grew up in the D.C. area before finding fame on “The Daily Show” and Pixar’s “Inside Out.”

Lewis Black returns to the Kennedy Center on Friday, May 3. (Courtesy Kennedy Center)

This Friday, Lewis Black comes home to the Kennedy Center for his “Goodbye Yeller Brick Road, The Final Tour,” which he insists isn’t his retirement but rather his last national tour.

“I’m not ‘retiring retiring’ … I’m just not going to do 120 to 150 shows a year, I’m not going to be wandering around the country the way I did before,” Black told WTOP. “I will occasionally do a show, I might do a ‘Rant Cast’ that I do live, I might open for someone. … I want to write a little, I want to write either a book or a play and just have a life. … I’ll still be on ‘The Daily Show,’ that’s rolling along. I’m not going to retire from shooting my mouth off.”

Like “The Daily Show,” there’s no shortage of pressing political topics to rant about on stage.

“How do you satirize what’s already satiric?” Black said. “My work is done, the newspaper is reading like [fiction]. … Banning books is beyond belief. They want to take these kids’ books out of the library — where’s the best place to hide a book from a kid? You put it in a library! Then you’ve got the people who are banning the books, a group called Moms For Liberty. How am I supposed to make that funnier? That’s like out of [Kurt] Vonnegut!”

Born in D.C. in 1948, Black graduated from Springbrook High School in Silver Spring, Maryland. After a year at the University of Maryland in College Park, he transferred to the University of North Carolina at Chapel Hill to study playwriting, followed by his Master of Fine Arts at the School of Drama at Yale University in 1977.

“I worked for what essentially became the Round House Theatre, I was their playwright in residence for a year, they’re out in Bethesda now,” Black said. “I really spent time in New York, I ran a space out with some friends and we did one-act plays below a restaurant, we had a bar and a stage downstairs with essentially 100 seats and we’d do shows, we’d do two one-acts a week. It was as much fun and as fulfilling as it is being a standup.”

After dabbling in standup at the West Bank Cafe in New York City, he shifted to comedy full time around age 40.

“I was always kind of doing standup for fun because it interested me,” Black said. “It was a way I could write something and get it out there, because otherwise you send it to a theater and you could wait two years to get an answer. I was fascinated by it. … I got more relaxed on stage, I finally found the persona that I wanted on stage and people seemed to enjoy it and there was more of a response to my comedy than there was to my playwriting.”

He’s best known for his “Back in Black” segments on “The Daily Show” on Comedy Central.

“Being on ‘The Daily Show’ was like having an advertisement for yourself each week,” Black said. “I’d do the ‘Daily Show’ then get on a plane, fly across the country to a comedy club and they’d just seen me the night before on television. … It was huge. Comedy Central ended up putting me and Dave Attell as the face of Comedy Central and it really established both Dave and I, got us out there, got us names and we ended up touring together.”

Now, another generation knows him solely as the voice of Anger in Pixar’s Oscar-winning animated gem “Inside Out” (2015). He’ll soon return for the sequel “Inside Out 2” alongside Amy Poehler on June 14.

“The visuals are extraordinary because it’s Pixar; they just get better and better,” Black said. “The script itself, they’ve added characters that are phenomenal, the new Envy and Anxiety are exceptional as the new emotions, then you’ve got the oldies and goodies. … It’s another step forward in terms of helping kids understand what emotions are. When I was a kid I had no clue! Nobody cared about your emotions; ‘just sit on them and shut up!'”

WTOP's Jason Fraley previews Lewis Black at the Kennedy Center (Part 2)

Listen to our full conversation on the podcast below:

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Jason Fraley

Hailed by The Washington Post for “his savantlike ability to name every Best Picture winner in history," Jason Fraley began at WTOP as Morning Drive Writer in 2008, film critic in 2011 and Entertainment Editor in 2014, providing daily arts coverage on-air and online.

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