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Review: Tom Hanks is Forrest ‘Grump’ in somber but life-affirming ‘A Man Called Otto’
Review: ‘White Noise’ is a tonally-confused misfire starring Adam Driver, Greta Gerwig
Review: ‘She Said’ casts Mulligan, Kazan as #MeToo era’s Woodward and Bernstein
Review: ‘Babylon’ is epic swing and miss as Damien Chazelle revels in Hollywood excess
Review: ‘Glass Onion: A Knives Out Mystery’ is preposterous fun — no more, no less
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December 16
WTOP Film Critic Jason Fraley ranks the best movies of 2022
More Movie Reviews
Review: Brendan Fraser hooks Oscar bait in Darren Aronofsky’s obesity film ‘The Whale’
Review: ‘Empire of Light’ is ode to broken characters more than love letter to cinema
Review: Will Ferrell, Ryan Reynolds turn Scrooge into hilarious musical ‘Spirited’
Breaking down Steven Spielberg’s entire career from ‘Jaws’ to ‘The Fabelmans’
Review: ‘The Wonder’ is feast or famine in avant-garde mystery of fasting Irish girl
Review: ‘All Quiet on the Western Front’ remake still powerful a century later
‘Black Panther: Wakanda Forever’: What’s the verdict from a Marvel super-fan?
Review: ‘Aftersun’ is tenderly experimental diary of father-daughter vacation memories
Michael J. Fox and Christopher Lloyd reunion delights ‘Back to the Future’ fans
Review: ‘See How They Run’ murder mystery is part whodunit, part spoof
Review: Stallone’s ‘Samaritan’ exceeds all expectations as ‘Unbreakable’ meets ‘Shane’
Review: Jamie Foxx battles vampires in Netflix action-horror-comedy ‘Day Shift’
Review: ‘Predator’ prequel ‘Prey’ is the best installment since the 1987 original
Review: Pixar’s Buzz origin story ‘Lightyear’ goes to streaming and beyond on Disney+
Review: ‘The Gray Man’ pits Ryan Gosling vs. Chris Evans in action-packed spy flick
Review: ‘The Sea Beast’ is a high-seas animated adventure with surprising depth
Review: Joey King slaughters castle guards like Arya Stark in Hulu’s ‘The Princess’
Review: ‘Rise’ chronicles NBA journey of ‘Greek Freak’ Giannis, brothers on Disney+
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