Smokey Robinson honors Zac Brown Band at D.C.’s Hamilton

November 29, 2021 | (Jason Fraley)

WASHINGTON — “Just think: We’re all having dinner with Smokey Robinson.”

That’s how emcee Jim Lauderdale summed up the annual “Grammys on the Hill” Wednesday night at Hamilton Live, an event that was part concert, part political rally to reform music licensing.

This year’s headliner was the Zac Brown Band, who followed previous honorees such as Don Henley, Lady Antebellum and Alicia Keys, who was honored last year by first lady Michelle Obama.

“A great writer in Nashville a long time ago gave me some advice: ‘You have to be as descriptive as possible with as few words as possible.’ … Being influenced by Willie Nelson and Dolly Parton, the genius is in so few words. … That’s part of our journey as poets and songwriters. … And if [listeners] don’t feel something or see something, then it’s not a great song,” Brown told WTOP.

The Hamilton crowd got a sampling of those great songs, as Zac Brown Band closed out the show with a mash-up of their megahit “Free” and a cover of Van Morrison’s “Into the Mystic.”

“We’re excited to be an advocate for artists’ rights and producers and engineers,” Brown said. “The art and dedication it takes to make music on a really high level, those people have to be paid.”

“If certain corporations’ lawyers are faster than the artists and the people representing us, there’s not going to be anything left. So it’s just important that it’s fair and that it’s not a greed-based system. If somebody doesn’t stand up for us, we’ll be victims of everyone else’s capitalization.”

November 29, 2021 | (Jason Fraley)

That’s the point of a new bipartisan bill by congressmen Tom Rooney, R-Fla., and Joe Crowley, D-N.Y., who are partnering to sponsor the Allocation for Music Producers Act. Its goal is to allow music producers to collect royalties from the works they helped create.

“We have a long history in this country of protecting property rights for individuals who make something. … Just like an architect would be rewarded for a great building or a chef who makes a great dish, we need to ensure that those who help create a vision for a song are rewarded for it,” said Rooney, who has seen Zac Brown live three times, including last year at Nationals Park.

The bill’s co-sponsor chimed in with a good-natured joke.

“A guy like that who loves all that kind of music can’t be a Republican,” Crowley said, before adding in all seriousness, “This is probably the most bipartisan event in Washington, D.C.”

Nearly 50 members of Congress, from Nancy Pelosi to Steny Hoyer, took the stage as Warren Haynes, formerly of The Allman Brothers Band, led a rendition of The Band’s “The Weight.”

It was just one of many live performances on the night, including “The Star-Spangled Banner,” by Yolanda Adams; “The World I Know,” by Collective Soul’s Ed Roland; and “I’m a Song” by Jim Lauderdale, who was tapped to emcee after penning dozens of hit songs for George Strait, Gary Allan, Elvis Costello, Blake Shelton, the Dixie Chicks, Vince Gill and Patty Loveless.

Other artists showed up to lend their support, including Robert “Kool” Bell, of Kool and the Gang, Dee Snider, of Twisted Sister, and Eddie Money, who says the licensing debate doesn’t effect only current artists, but also artists who created hits years ago that have since become classics.

“I’m still trying to get paid for ‘Guitar Hero’ from 10 years ago! And ‘Grand Theft Auto,’ they haven’t paid me for that either! ‘Grand Theft Auto’ was ‘Two Tickets to Paradise,’ and ‘Guitar Hero’ had everything from ‘Shakin’ to ‘Take Me Home Tonight,'” Money told WTOP with a lighthearted tone.

November 29, 2021 | (Jason Fraley)

But beneath the casual, joking manner, there was a subtle seriousness in Money’s quest.

“I realized that a lot of the writers and a lot of the producers don’t get what they deserve. There’s no doubt about it. There’s a lot of greedy hands in the pie, and a lot of these musicians are family people like myself. A lot of us have been in the business a long time, and we just want a fair shake. You produce something … you sing on something, you wanna get paid for it,” Money said.

Of course, the biggest celebrity guest was Motown legend Smokey Robinson.

Smokey Robinson and Zac Brown attend the 2016 Grammys on the Hill event at The Hamilton in Washington D.C. (WTOP/Jason Fraley)
Smokey Robinson and Zac Brown attend the 2016 Grammys on the Hill event at The Hamilton in Washington D.C. on April 13, 2016. (WTOP/Jason Fraley)

“I am so proud of (Zac Brown Band) for being the origin of this movement. … People who make the music should be compensated. … The writers and publishers have been paid all along, but not the artists, not the producers, not the engineers,” Robinson told WTOP.

His voice certainly brings clout to the argument, seeing as he’s one of Motown’s biggest alumni.

“I’m very proud of the fact that I am a part of the legacy. Motown did something around the world that had never been accomplished before. All those artists in the same stable and making music and stuff — that had never been done before or since,” Robinson said.

So how did he come up with the smash hit “Tears of a Clown?”

“The music for that was given to me by Stevie Wonder. … So when I heard, ‘Bum bum bum, ba da da da da da,’ that was a circus, so I wanted to write something about the circus but I wanted to personalize it. When I was a child, I heard a story about Pagliacci, who was an Italian clown who made everybody happy. All of the kids came to the circus to see him. … [But] when people went to his dressing room, he would cry because he didn’t have that kind of love from a woman,” Robinson said.

The clown tale mirrors the plight of the musician, beloved by fans, but stymied by licensing laws.

November 29, 2021 | (Jason Fraley)

Music producer Harvey Mason Jr. understands the hard work that goes on behind the scenes, having worked with Jennifer Hudson and Beyoncé on “Dreamgirls,” Dr. Dre on “Straight Outta Compton” and Anna Kendrick on “Pitch Perfect 2.” He says the industry hasn’t kept up with technology.

“How music is regulated and paid for, is completely out of whack. The rules and regulations of how people are paid were established in the ’30s or ’40s and have not been updated since there is streaming music and since there is Vimeo and YouTube,” Mason told WTOP.

November 29, 2021 | (Jason Fraley)

He says advocacy events like “Grammys on the Hill” help break complacency amid changing times.

“We all come from every corner of the country, and we collide here in D.C. to talk about music issues and some of our concerns. Hopefully we’ll do a little political speak tonight, but most of it will be just fun and eating and drinking and great music. Then tomorrow, we’ll really start going hard and meeting with members of Congress,” he said.

Until then, enjoy the tunes and just think: We’re all having dinner with Smokey Robinson.

Jason Fraley

Hailed by The Washington Post for “his savantlike ability to name every Best Picture winner in history," Jason Fraley began at WTOP as Morning Drive Writer in 2008, film critic in 2011 and Entertainment Editor in 2014, providing daily arts coverage on-air and online.

This content was republished with permission from CNN.

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