After a mass shooting at a gay Florida nightclub early Sunday, this year's Tony Awards will be dedicated to the victims of the shooting, according to a statement released by the awards organization.
WASHINGTON — It was a historic night at the Tonys for all the wrong reasons.
Broadway enthusiasts went into the weekend hoping “Hamilton” would break records, but after the mass shooting at a Florida gay nightclub early Sunday — the deadliest in U.S. history — the focus shifted toward remembering the victims and toward theater’s enduring power to heal.
“Hate will never win. Tonight’s show stands as a symbol and celebration of that principle,” host James Corden said to open the show Sunday night at New York’s Beacon Theatre.
“Your tragedy is our tragedy. Theater is a place where every race, creed, sexuality and gender is equal, is embraced and is loved.”
This sentiment was echoed by many of the actors wearing commemorative ribbons, including Frank Langella, who won best actor in a play for his work in “The Father.”
“When something bad happens, we have three choices: We let it define us, we let it destroy us, or we let it strengthen us,” Langella said in his acceptance speech. “I urge you, Orlando, to be strong because I’m standing in a room full of the most generous human beings in the world and we will be with you every step of the way.”
The night’s big winner was the revolutionary hip-hop musical “Hamilton,” which entered the night with a record 16 nominations and swept its way to 11 Tonys, one shy of the record held by “The Producers” (2001). But while it ultimately didn’t break the record, there was no denying the power of the pop-culture phenomenon, which won for best new musical, beating out “Waitress,” ”School of Rock,” ”Shuffle Along” and “Bright Star.”
“Theater doesn’t exist without the LGBT community. It’s the cornerstone of our industry, so it’s heavy on my heart today,” creator Lin-Manuel Miranda said after the show.
While Miranda won best book and best original score for “Hamilton,” his co-star Leslie Odom Jr. won best actor in a musical for playing Aaron Burr, sir.
“It feels amazing,” Odom told WTOP last week about his nomination. “It feels like this show that we all believed in is doing what we all believed it could and it exceeds our expectations almost every night with every audience.”
“Hamilton” also won for best featured actor in a musical (Daveed Diggs), best featured actress in a musical (Renee Elise Goldsberry), best costume design of a musical (Paul Tazewell), best lighting design of a musical (Howell Binkley), best direction of a musical (Thomas Kail), best choreography (Andy Blankenbuehler) and best orchestrations.
Meanwhile, “The Color Purple” won best musical revival, beating out “Fiddler on the Roof,” “She Loves Me” and “Spring Awakening.” Oprah Winfrey took the stage with the “Color Purple” cast to accept the prize, as the Alice Walker adaptation also won best actress in a musical for Cynthia Erivo, who belted to the rafters in a memorable performance.
On the non-musical side, Stephen Karam’s “The Humans” won four Tonys, including best play, beating out Danai Gurira’s “Eclipsed,” Floria Zeller’s “The Father” and Mike Bartlett’s “King Charles III.” The play follows the conflicts of a family living in Manhattan on Thanksgiving. It also won best featured actor in a play (Reed Birney), best featured actress in a play (Jayne Houdyshell) and best scenic design of a play (David Zinn).
In between the awards were a string of stunning live performances. Pop star Sara Bareilles teamed with Broadway actress Jessie Mueller (“Beautiful: The Carole King Musical”) to perform numbers from “Waitress,” while Gloria Estefan danced with the cast of “Get On Your Feet” and Alex Brightman performed with a group of child musicians for “School of Rock,” an adaptation of the Jack Black movie with music by Andrew Lloyd Webber.
Yet, the most poignant moment may have come when the cast of “Hamilton” gathered outside the Beacon to sing “Seasons of Love” from the 1996 Tony champ “Rent.” Miranda tapped his heart and pointed to the sky as he invoked the name of late “Rent” creator Jonathan Larson, whose meditation on the AIDS epidemic 20 years ago suddenly doubled for our 2016 grief over the massacre at the Orlando nightclub.
Hailed by The Washington Post for “his savantlike ability to name every Best Picture winner in history," Jason Fraley began at WTOP as Morning Drive Writer in 2008, film critic in 2011 and Entertainment Editor in 2014, providing daily arts coverage on-air and online.