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Credit: YouTube
Rita Moreno returns to Kennedy Center to kick off new Q&A series
Review: Katherine Heigl shows creepy side in forgettable ‘Unforgettable’
At 50, ‘The Graduate’ remains the best-directed comedy ever made
‘Fate of Furious’ shifts between the ridiculous, ridiculously fun
Review: Chris Evans raises child prodigy in family drama ‘Gifted’
Review: McGregor, Boyle relapse for sequel ‘T2: Trainspotting’
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Reviews: ‘Life’ is thrilling sci-fi, ‘Song to Song’ is painfully pretentious
Emmy winner Debra Monk comes home in Signature’s ‘Mrs. Miller’
Review: Disney’s live-action ‘Beauty and the Beast’ dazzles
Movie Madness: Best Movie Stars (Second Round)
Movie Madness: Best Movie Stars (First Round)
Review: ‘Kong’ a skull-crushing monster movie, no more, no less
‘Rent’ star Adam Pascal leads Tim Rice tribute at Strathmore
Oscar lunar eclipse: What makes ‘Moonlight’ Best Picture worthy?
Movie Review: Jordan Peele’s debut ‘Get Out’ is a masterful social satire
March Entertainment Guide 2017
2017 Oscar predictions: Who will win? Should win? Could win?
Why don’t blockbusters win Oscars anymore? Blame sequels
‘La La Land’ composer Justin Hurwitz goes behind the music
Bethesda native’s Oscar short ‘Joe’s Violin’ grabs Denzel’s ear
‘Great Wall’ or Green Monster? Damon goes Bad Lizard Hunting
More Cupid than stupid, ‘Fifty Shades Darker’ just barely finds the Grey
Review: Shyamalan’s ‘Split’ is Norman Bates on steroids
Students study ‘Hidden Figures’ of history at DC’s Avalon Theatre
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