“American Idol” kicks off a special three-night farewell Tuesday night with a 90-minute retrospective, followed by a final competition Wednesday and results show Thursday on FOX.
Whether you’re a die-hard fan who has watched all 15 seasons religiously, or bailed years ago only to come back to see how this sucker ends, one thing is for certain — it will be the end of an era.
Not only has “Idol” been a ratings juggernaut for the better part of 15 years — peak viewership averaging a 12.6 rating — it has grown from simple singing competition to undisputed cultural phenomenon.
You can’t overstate the show’s pop culture impact.
“Idol” inspired countless “reality competition” imitations, including “The Voice,” “Nashville Star,” “America’s Got Talent,” “So You Think You Can Dance,” “Dancing with the Stars” and “X-Factor.”
It provided a reason for post-9/11 families to gather around television sets and feel optimistic again, adapting to emerging cell-phone technology and learning to text as a way of casting their votes.
It elevated host Ryan Seacrest into both the Dick Clark and Casey Kasem of the 21st century, landing him coveted hosting gigs on TV’s “New Year’s Rockin’ Eve” and radio’s “American Top 40.” But he didn’t become the hardest working man in showbiz overnight. It was Seacrest who built his brand, opening each show with “This … is ‘American Idol,'” building the suspense, “After the break,” and closing out each show with his signature quip, “Seacrest, out.” Poor Brian Dunkleman.
Its judges became household names, especially the trio of Simon Cowell (“Absolutely dreadful”), Paula Abdul and Randy Jackson (“Dawg, we’ve got a hot one tonight! She’s in it to win it!”), whose departures left a revolving door of Kara Dioguardi, Ellen DeGeneres, Steven Tyler, Mariah Carey and Nicki Minaj before settling on a solid trio of Keith Urban, Jennifer Lopez and Harry Connick Jr.
Even the most infamous auditions became pop culture staples. Who can forget William Hung’s energetic rendition of Ricky Martin’s “She Bangs,” Larry Platt’s original lyrics to “Pants on the Ground” or Sanjaya Malakar making an underdog run thanks to “Vote for the Worst” campaigns?
Often the runners-up became the show’s biggest winners. Clay Aiken turned his defeat to Ruben Studdard into an “Invisible” pop career for devoted fans. Jennifer Hudson turned her Season 3 ousting into an Academy Award victory for “Dreamgirls” (2006). Chris Daughtry overcame his shocking Season 5 elimination to become a chart-topping rock radio star. And Adam Lambert shook off his loss to Kris Allen to replace the late Freddie Mercury as the new frontman for Queen.
Then, of course, there were the winners, the most successful of which were undoubtedly Season 1 champ Kelly Clarkson and Season 4 victor Carrie Underwood. Clarkson has won three Grammys across a string of hits, including “Miss Independent,” “Since U Been Gone,” “Breakaway,” “Because of You” and “Stronger,” while Underwood has won a whopping seven Grammys amid cranking out country gems like “Jesus Take the Wheel,” “Before He Cheats,” “Wasted” and “All-American Girl.”
To truly appreciate the show’s hit-making legacy, check out Billboard’s list of the Top 100 “American Idol” Hits. You’ll be surprised at how many you remember — and how many you’ll never forget.
Television execs “wait a lifetime” for a show like this, and for the better part of 15 years, “American Idol” caught lightning in a bottle, transfixing audiences and reshaping our pop culture.
So as we wait to see how FOX will close out the final week — Clarkson and Underwood will definitely perform on the series finale, but will we also see a reunion by Simon, Paula and Randy? — I beg you to forget the cheesy bubble-gum excesses, shameless product placement and faulty popular votes.
Instead, think about the show’s root legacy: plucking rough diamonds from obscurity and giving them a national stage, transforming hungry unknowns into international superstars, and offering “golden tickets” to the American Dream as dreamers rush to tell their families, “I’m going to Hollywood!”
Hailed by The Washington Post for “his savantlike ability to name every Best Picture winner in history," Jason Fraley began at WTOP as Morning Drive Writer in 2008, film critic in 2011 and Entertainment Editor in 2014, providing daily arts coverage on-air and online.