MILAN (AP) — Fashion may seem a respite for the cares of the world, but often it is actually an expression of them. Designers in Milan this week are finding ways to express their concerns…
MILAN (AP) — Fashion may seem a respite for the cares of the world, but often it is actually an expression of them.
Designers in Milan this week are finding ways to express their concerns about the global affairs through their collections, in some cases purposely providing an escape but in others using textiles and seams to stitch together a story.
Milan Fashion Week on Friday held its third day of previews for next spring and summer with shows by Antonio Marras, Etro, MSGM and Versace.
Donatella Versace is all about emphasizing the power of women and she does it on and off the runway. For this season’s show, she assembled this generation’s top models to tell her story but remembered also those who blazed the trail.
Gigi and Bella Hadid, Kaia Gerber, Kendall Jenner and Irina Shayk headlined fast-paced show the show, and Versace allowed a significant pause before sending out the final model: 1990s supermodel Shalom Harlow.
The looks the models sported gave a sense of fearlessness. The collection was free-spirited and youthful, featuring skin-tight silhouettes of the finest transparent printed tulle that lent itself to colorful layering. A bohemian-Gypsy vibe was created by floral silk head-scarfs, embroidered hosiery and the clashing patterns and layering. A dark net overlay easily takes the dress from day to night.
Power suits featured geometric checks and stripes, while leather looks had a tough-girl edge with a painted faux-python slit skirt and shiny cropped leather jacket.
Versace’s heritage came out most strongly in body-hugging matte leather ensembles, and a series of trademark evening dresses in satin with golden accents.
NIKKI MINAJ VINTAGE VERSACE
Nikki Minaj held court in the Versace front row, patiently posing for photos as models made their final preparations back stage.
Minaj wore a plunging black leather Versace corset and a long gathered skirt in a bold primary color print for the fashion outing. The look was accessorized with a plaid tam o’ shanter bonnet and matching scarf, acid green gloves and a chunky Versace chain.
“It felt very Italy to me,” she said. “I love the colors. It made me feel really happy. I always love colors, but this is very Versace, I feel. Very vintage. “
ANTONIO MARRAS’ JOURNEY INTO EXILE
Designer Antonio Marras stitched a story into his garments for next spring and summer. It is a tale of exile, of military demands interrupting a tranquil life.
Marras mixed masculine textiles, like camouflage and denim, with feminine laces, crochet work and animal prints. The garments are a patchwork, none with a clearly defined silhouette but with overlays indicating turbulence and forced journeys. Marras said he was inspired by the story of an Ethiopian princess who was forced under Italian rule into exile with her children on an island near Sardinia.
“I think fashion can tell what is happening in the world. We are bombarded every day by images that are very strong. My work is to transfer the sensations I have inside onto textiles,” he said.
Marras said the work started with a simple men’s shirt, which he completely redefined, cutting long holes in the sleeves that he trimmed with big ruffles, adding shreds and cutting-room castaways of khaki, reptile and leopard print to the bodice.
The workmanship is evident in the details. Ruffles and scraps are stitched meticulously together to create a collage of stripes, checks and neutrals on a mini-wrap skirt-jacket combo. Chiffon leopard prints are ruffled and pieced together to create frothy details on the shoulders.
Delicate crochet work was sewn into panels on a smock dress with a Victorian-era flair. More modern cues came in the form of a loose sweatshirt cape with leopard and reptile accents, and a drop-waist dress with a black hoody T-shirt over a leopard skirt, held together by sheer black lace.
Marras added drama to the collection with enormous, sculptural mosquito-netting hats.
ETRO’S PACIFIC ZEN
The Etro woman is seeking Zen somewhere in the Pacific between California, Hawaii and Japan. In Veronica Etro’s mind’s eye, the destination is a fantastical Paisley island, recalling the brand’s trademark print.
Etro said the collection explores the fluidity between the active West Coast lifestyle of surf and skateboard and the more meditative Asian martial arts disciplines.
“We melted these references together to get this collection that I call Pacific Zen,” Etro said backstage.
The colors are bright but sophisticated, taken from kimono silks. A dreamy pattern of the sun on the water on a strapless sheath dress can just as easily represent a California sunset as an Asian sunrise.
The looks have a contemporary edge that comes through in the silhouette, in particular a pagoda-tiered dress with a surfer’s wetsuit bodice trimmed in ruffles. Relaxed patchwork denim looks with knitwear jackets and bikini tops played nicely against floral kimono tops with matching trousers.
Etro is one of the rare fashion houses to showcase swimwear, in this case modeled by real-life surfers Victoria Vergara and Maribel Kouke who carried their boards. Accessories included myriad shell jewelry, marking a comeback for the puka shell with luxury pearl and gold accents.
The family-run Etro brand is marking its 50th year with an exhibit opening Saturday at Milan’s MUDEC museum.
MSGM’S COLOR-BURST DREAMS
MSGM creator Massimo Giorgetti said his latest color-burst of a collection was inspired by dreams.
For next spring and summer, the designer turned away from lace-trimmed sweatshirts that were an early inspiration and focused on dresses.
“It is really like a new kind of attitude, and new kind of femininity,” Massimo Giorgetti said backstage.
Pretty florals pop on long flowing dresses, tight legging outfits with matching sheer jackets and blur into a matching denim print. Giorgetti breaks down the colors into wrap dresses in blocks of orange, pink black and tan. Some are mini, showing off ankle cowboy boots with clear PVC panels.
The collection closed with a series of dreamy tie-dyes worn with painted feather mini dresses, and layered with hoodies.
His overriding message was upbeat: “Sognare insieme,” or “Dream together,” emblazoned in Italian on the back of a jacket.
Associated Press journalist Paola Masera contributed to this report.